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"Rotondi as a composer and trumpeter has made himself masterful at creating pieces and soundscapes that model and emulate the sonic worlds of the masters and provide the foundation for improvisers to embrace the bountiful tradition of jazz past and present." Jeremy E. Smith,

"When you consider the demands of orchestral form, [Finesse] deserves respect. It’s a titanic undertaking of composition, arrangement, and orchestra direction to achieve such a brilliant result. It’s sheer genius"  Thierry De Clemensat, Paris Move

"Clearly, [Rotondi] emerges as one of the best of the post-Hubbard generation"- Chris Hovan,

"[His] solos are a near-perfect amalgam of power, finesse and logic." - David A. Orthmann,

"If I had to pick one trumpeter to watch over the next decade, it would be Jim Rotondi."- Don Berryman,
"Rotondi has the passion and focus to find a place for the music in the new millennium."-The New Yorker
"There isn't a better trumpet player in New York City than Jim Rotondi, for whom the word "versatile" is inadequate." - Bob Belden

"Rock and roll may never die; hard bop appears to be striving for immortality as well. The rip-roaring trumpeter Jim Rotondi wasn’t around for the first flowering of the earthy style, but he’s thoroughly absorbed its playbook." - The New Yorker



Trumpeter Jim Rotondi has been a major figure in the world of jazz for over 30 years, both in New York and on the international scene. His sound, soul, and sense of swing have been in demand as leader and sideman all over the world.


A Montana native raised in a musical family, Jim started with the piano at eight years old and switched to trumpet at age twelve. Two years later Jim heard a recording of Clifford Brown and he was on his way.  A product of the prestigious music program at the University of North Texas, Jim won first place in the International Trumpet Guild’s Jazz Trumpet Competition in 1984.


After relocating to New York, Jim toured and recorded with a host of jazz luminaries, including the big bands of Ray Charles, Lionel Hampton, Grammy-winner Toshiko Akiyoshi, Bob Mintzer, and the small groups of Charles Earland, Lou Donaldson, Curtis Fuller and Joe Chambers. Jim currently leads two of his own groups, a quintet featuring vibraphonist Joe Locke in the front line, as well as an electric group, Full House, which also features pianist David Hazeltine. He is also a founding member of the collective sextet One For All, which features a front line of saxophonist Eric Alexander and trombonist Steve Davis, as well as the aforementioned Hazeltine, drummer Joe Farnsworth and bassist John Webber in the rhythm section. This all-star group is featured in the June 2009 issue of Jazztimes magazine.


Jim’s extensive recording experience most recently includes the 2016 release of his first date as a leader for the Smoke Sessions label, titled “Dark Blue”, featuring Joe Locke and David Hazeltine, following a host of successful releases on various labels. “Dark Blue” was very well received in the jazz world, receiving a 4-star review from Downbeat magazine and spending 3 weeks at #1 on the international radio playlist. Having appeared on some 80 CD’s as a sideman, he can also be heard on several of Charles Earland’s Highnote Records releases, alongside saxophonist Eric Alexander, with whom Jim made his recording debut on Eric’s Delmark release “Straight Up.” Other recordings include saxophonist George Coleman’s Octet, featuring Harold Mabern, as well as drummer Ray Appleton’s Sextet, which features Slide Hampton, Charles McPherson, and John Hicks. The aforementioned One For All, whose Sharp Nine Records releases ”Too Soon To Tell” and “Optimism” received critical acclaim from Cadence and The Detroit Free Press, also have 18 CD’s to their credit.

Jim currently resides in Graz, Austria, where he is Professor of Jazz Trumpet at the University of Music and Dramatic Arts, after having been active professionally in the New York City area for 25 years. He has given clinics at Emory University in Atlanta, the Jamey Aebersold Summer Jazz Workshop and served on the faculty of the Stanford Jazz Workshop in Palo Alto, California, Seminari Jazz Internazionali in Orsara, Italy, as well as having been Jazz Trumpet Professor at Rutgers University, and an affiliate faculty member at the State University of New York in Purchase.

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